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However, while Evo's notes do share some of what Melodyne's 'blobs' offer, as outlined below, the detailed functionality is different. At first glance, one can't help but be reminded of the way Celemony's flagship product operates. First, as well as the existing curve and line editing functions, graphical mode now includes 'notes'. The most eyeвЂ‘catching new features are within Evo's graphical mode, where two additions really stand out. The Option dialogue allows the size of the Evo window to be adjusted and keyboard controls set.

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Potential purchasers should also note that pricing of new and upgrade versions of Evo vary depending upon the format required. The differences in the engine are significant enough that AutoвЂ‘Tune 5 and AutoвЂ‘Tune Evo are not interchangeable, so existing users will need to run AutoвЂ‘Tune 5 alongside Evo if revisiting older projects.

However, the changes are not merely cosmetic, and the underlying pitch correction engine has undergone a complete overhaul, to improve the end results and to take advantage of the increasingly powerful processing available in modern personal computers. In most other regards, the operation of auto mode remains as before, so existing AutoвЂ‘Tune users should find the transition a relatively painless one. RealвЂ‘time pitchвЂ‘shifting is also included within the common controls area and is available in all versions of Evo. The controls are basic - in simple terms, allowing the user to adjust the resonant frequencies and throat length of the singer's body - but used sparingly, they can produce a subtle shift in the character of the voice. In the native versions of the plugвЂ‘in, this common area now also includes formant and throatвЂ‘modelling technology derived from the Avox 2 plugвЂ‘in bundle (reviewed in the October 2008 issue). This includes the return of the Tracking control: in AutoвЂ‘Tune 5 this had been relegated to the Options screen, a move which apparently proved unpopular with many users. The most obvious visual change has been the expansion of the common controls section along the top of the main window. If the tuning problems are more significant, the 'graphical' mode provides tools for editing indvidual notes via curves and lines.ДЄll these functions are retained in Evo, but they have been accompanied by some significant new features and a reorganisation of the user interface.

An 'auto' mode provides easyвЂ‘toвЂ‘use, realвЂ‘time correction options and, if the original performance is pretty good in the first place, can often do the job with the minimum of fuss. All About EvoДЄutoвЂ‘Tune Evo retains the basic dualвЂ‘mode operation of earlier releases. However, the new version is named AutoвЂ‘Tune Evo, and includes some significant new features. SOS reviewed AutoвЂ‘Tune 5 in a headвЂ‘toвЂ‘head with Celemony's plugвЂ‘in version of Melodyne in the March 2007 issue (/sos/mar07/articles/at5vsmelodyne.htm), and Antares are now back with what is, in essence, AutoвЂ‘Tune 6. Of course, other companies were not going to let Antares have things all their own way, and alternatives from the likes of TC Electronic/TC Helicon and Celemony have certainly made their mark. Antares were pioneers of this technology and AutoвЂ‘Tune became a clear industry standard soon after its release in 1997.

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Love it or loathe it, pitchвЂ‘correction software is now a ubiquitous part of the modern computerвЂ‘based recording studio. Graphical editing now includes note objects as well as curves, and object-specific settings for the Retune speed. Does the latest Evo version keep the competition at bay? If you're not a fan of YouTube or you're an addicted blogger, message me here, comment, if you need Auto-Tune settings I can help you get them, not just for commercial songs, but even for your own original songs! You can send requests to with the subject as 'AUTO-TUNE SETTINGS' That way my spam filter won't delete you!ДЄuto-Tune has been the industryвЂ‘standard pitchвЂ‘correction tool ever since its 1997 release.

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Antares AutoTune 8 Crack is the advanced software which is developed by the Antares audio technologies and based on the Udio tune improving the helps its users to change sounds and recording. Higher settings tell Auto-Tune to wait to apply correction until the note is closer to the pitch. Listen to this early example from the 'King of Auto-Tune,' the one artist who did more to popularize its effect than any other, T-Pain. For the sake of this article we will be discussing Auto-Tune and its effect on the human voice. Auto-Tune traditionally is used on vocals, although in some cases can be used on certain instruments.

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